“I see them in Duchampian terms. He uses the word ‘arrest’ or ‘stoppage’ or, more pessimistically, ‘delay’. I think he was the first to be aware of what it is to be an artist in an age of image flows. And that’s where I pick up on that moment of interruption; I see the cut as a decisive interruption of the flow, whether it’s the flow of cinema and the film still or image turnover and circulation.”
Images via theapproach



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